Brucknerhaus Linz, Großer Saal 11 May 2019

Organ · Opera · Ordinarium

Works by Franz Liszt, Giacomo Meyerbeer and Camille Saint-Saëns

Gernot Heinrich, Christian Bauer, Andreas Jankowitsch, Johannes Gisser, St. Florian Boys' Choir, Chorus Viennensis; Zita Nauratyill; Michael Schneider

Giacomo Meyerbeer (1791-1864): Marche du couronnement (1838-1841/1848-1849), Coronation march from the opera LE PROPHÈTE
Arrangement: William Thomas Best (1826-1897)

Franz Liszt (1811-1886): Laudate Dominum (Psalm 116), Gradual from the Hungarian Coronation Mass - for male choir and organ (1869 · S 15a)

Franz Liszt: Ave verum corpus (1871 · S 44) for mixed choir and organ ad libitum

Giacomo Meyerbeer: Prière d‘enfants (Kindergebet) pour trois voix aigües a cappella (1839)

Giacomo Meyerbeer: Hallelujah (vor 1815 · op. 137), a cantatina for 4 male voices accompanied by an obbligato organ, children's choir ad libitum

Franz Liszt: Ad nos, ad salutarem undam (1850 · S 259), Fantasy and fugue on the chorale of the Anabaptists from Giacomo Meyerbeer's opera LE PROPHÈTE

intermission

Camille Saint-Saëns (1835-1921): Veni creator Spiritus (1866), Hymne pour 4 voix d‘hommes et orgue

Camille Saint-Saëns: The bird sermon resp. La Prédication aux oiseaux (St. François d’Assise) / Transcription of Franz Liszt's first of the « Deux Légendes » (1878 · S 175)

Franz Liszt: Messe Sexardique (2nd version 1869 · S 8), Mass for four-part male choir and organ